French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.  Related Paintings of Theodore Gericault :. | academie d'homme | Chargingchasseur | Madwoman | The Raft of the Medusa (mk10) | vue de tivoli |
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Adolf Seel
(1 March 1829-14 February 1907) was a German painter. He enjoyed training at the Dseldorf Academy of Arts. Seel visited the academy in Dseldorf in 1844-50, where he trained under Wilhelm Sohn. He then continued to train one year in Paris, spent 1864 and 1865 in Italy, 1870 and 1871 Spain, Portugal and the north coast of Africa as well as 1873 and 1874 the Orient, where he developed his preference for the architecture painting found rich food. Its pieces of architecture, particularly the Arab and Moorish buildings, are usually provided just as beautiful landscapes painted with a masterful perspective, lighting and coloring.
Johan Christian Dahl
1788-1857 Norwegian 1857). Norwegian painter and collector, active in Germany. His paintings, imbued with Romantic and patriotic sentiments, had a strong influence on the landscape tradition both in Germany (especially Dresden) and in his native Norway.
Natoire, Charles Joseph
French, 1700-77 French painter, draughtsman and teacher, active also in Italy. An exact contemporary of Fran?ois Boucher, he was a painter of cabinet pictures, decorations and tapestry cartoons and one of the most adept practitioners of Rococo art in 18th-century France. The greater part of his career was spent in Paris, where he received important commissions from Louis XV as well as from private patrons. In 1751 he accepted the post of Director of the Acad?mie de France in Rome.